NaPoWriMo 2022 Our Lady of the Garden

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Hummingbird right: Photo by Kelly Colgan Azar/flickr/CC.

Today’s prompt was based on the aisling, a poetic form that developed in Ireland. An aisling recounts a dream or vision featuring a woman who represents the land or country on/in which the poet lives, and who speaks to the poet about it.

Today’s challenge was to write a poem that recounts a dream or vision, and in which a woman appears who represents or reflects the area in which I live.

We shall see how this goes today. We shall see what form my dream-visitor takes.

Happy reading!

Our Lady of the Garden

In the garden
a tiny, perfect
bird landed
on my shoulder.

Jewel-toned
and stunning,
the bird
morphed into a
beautiful woman
right before
my eyes.

The trumpet vines
flashing brilliant
orange flowers
shone in the sun
like a halo
around her head.

My angel with
her flaming crown,
and delicate hands,
she felt
born of spirit,
born of dream.

Sing, she told me
Sing of the Universe.
Sing of the beauty
of the earth.


In my dream-state
I sing her song.

I see in her
the land and sky;
she connects me
to water and earth.
The waves roll
in her laughter;
the plants flourish
under her hands.

From my heart
I sing of us.

We become
a tapestry,
woven together—
garden and bird,
woman and earth.

When I wake,
it is daylight.
I look out
my window
and see
a hummingbird—
wings whirling
without resting—
sipping nectar
from flaming goblets
shaped like
trumpet flowers.

—cjpjordan




NaPoWriMo 2022 Day 14

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Thanks and shoutout to Annie Spratt who made this luscious lemon photo available for free on Unsplash.

Today’s challenge was an interesting one. I was to write a poem that takes the form of the opening scene of a movie depicting my life.

This year the prompts have all been similar in some ways. There’s not much focus on form. Instead, the focus is just on using words to paint pictures. It’s been a challenge and has tightened my connection with words (or the lack thereof).

I don’t always know where the ideas come from. As I fall asleep, I prick my fingertips and they bleed onto the page. When I wake, the words have formed a poem.

When folks say things like “it’s all about the journey”, believe them. Every word is true.

Here is what I have learned halfway through this month. It is nothing new or even particularly profound, but it is the story of my journey: embrace the past (you can’t escape it), face the future (it’s coming so you might as well face it), and live in the now.

Lemon Groves

I turn off
Main Street
and head south—
top down,
breeze blowing.

I push
my hair back,
and suddenly
I can see.

Behind me
lemon groves
bear fruit;
my trunk
full of lemons
as proof.

With the heat
of midday,
I smell
delicate decisions—
citrus songs,
fermenting fruit.

Intersections
define direction;
not all roads
lead back home.

I suppose
home lives
in the trunk
with the lemons,
fermenting
into luscious
limoncello.


—cjpjordan

The Shape of Ideas

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Photo Credit:
Thank you and shoutout to Rui Xu.


The Shape of Ideas

Every morning I wake up
stretch my still tired bones
hoping for middle-age creaks
to have magically disappeared

Overnight I dream of sun—
basking my skin in the warmth
twirling in my swivel chair
trying to guess every time

I pass the sun and feel her rays—
my flowers blooming, my grass
greening beneath her glow
and then I wake up to mud

Everywhere the thick black muck
stuck to everything, even
my swivel rocker needed
to be put away and covered

Up to my ankles the mud
rises and enters my soul;
I wonder if, like the lotus,
I will ever emerge to life

From under the mud I begin
to rise and grow; soon I am
wading at the edge of beauty
not thinking about the hard

Hard work has followed me here,
but it’s the mud in my bones
that fortifies, birthing beauty
and wonder from endless rain.

—Carla Picklo Jordan

Fireflies and Summer Skies

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Photo Credit: Thank you and shoutout to toan phan.
Fireflies

Every evening
as the sun dips
low in the horizon
a calm settles.

Fireflies blink
in dusky
summer skies
while the fire crackles

and laughter
breaks into the night.
If I am brave
and open my widening

eyes to see
into the falling
darkness, I can
picture tomorrow

I can dream
I can feel hope
rising in
my bones—

the kind
of hope
that speaks truth
but lives dreams.

Every evening
as the fireflies dance,
if you know how
to listen for the whispers

of tomorrow,
you can tell yourself
who you want
to become.

—Carla Picklo Jordan

Tanaga for June 2021

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Two Tanaga for June 2021

1.
June left me feeling beige-dead
One raining gloomy-bleak thread
Mud with ankle deep tire tread
Give me lucent day instead

2.
Anthracite grey wild-storming
Humid sauna air warming
Buzzing mosquitos swarming
Climate change life transforming

-draft by Carla Jeanne Picklo Jordan

The Tanaga is a type of Filipino poem consisting of four lines with seven syllables in each line. Traditionally, each line ends with the same rhyme; however, sometimes this will be varied.

A Tanaga looks like this:

7-7-7-7 Syllabic verse with an AAAA (traditional), AABB, ABAB, or AAAB (modern) rhyme scheme.

Muddy Waters

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Photo Credit: Thanks and Say shoutout to Ben Wicks.
Muddy Waters

People like me belong to the rain—
soaking in joy breathing out sorrow,
tending to the dark roots and pain—
a slow broadening of mossy green
spreading wide after the summer storm.

I stay alive in muddy waters
when the verdant swaddle of meadow
is drowned in brown. It’s there I sought her
to teach me the wisdom of the rain
and to not be afraid of the dark.

It is with her I learned where I belong
and how to navigate in a world
reeking with sunshine and sappy song.
Bring on the rain, for how else do I
stay alive when dusk darkens the light?

—By Carla Jeanne Picklo Jordan

I read a story this morning about the death of a lovely young Australian woman who was a farmer, ecologist, and inspiration to many on her TikTok.

Her family didn’t give details about her death, but her father said “every day should be ‘R U OK? Day,” a reference to an Australian holiday when people are encouraged to have conversations about mental health and suicide prevention with one another.

I absolutely agree.

Don’t be afraid to ask someone if they are Ok. Don’t be afraid to push a little to encourage them to reach out to a professional.

There is no shame in needing help. Or asking someone if they need help.

It’s ok to not be ok.

How else can we stay alive when the rain comes and dusk darkens the light?

Theories

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Photo Credit: Big thanks and shoutout to Ricardo Gomez Angel

The prompt for today was to write a nine-line poem. I could choose any form I wished or use a free form verse. I chose a Balassi Stanza where it looks like this:

Rhyme scheme: a. a. d. b. b. d. c..c. d

Syllable count:.. 6. 6. 7. 6. 6. 7. 6. 6. 7

Of course, I chose this form mainly because Balint Balassi is Hungarian. Also, I am taking a crash course in music theory right now, so the poem reflects the terms swimming in my head.

theories

rhythms all frenetic,
cadences authentic
and deceptively half there.
appalachian folk tunes,
maqam modes that commune
and pulse with joy and despair.
musical collision,
lydian precision--
complexity that ensnares.

—Carla Picklo Jordan

A Pantoum For My Pops

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My Pops

Happy Father’s Day to all the Pops, Dads, Daddies, Papas, Papis, Babas, Role Models, Mentors, and Step Wonders!

Today is Father’s Day, and so naturally I wanted to honor my dad. My Pops was hands-down the best dad on this planet for me.

I chose a new-to-me form called a “pantoum” (a Malay form from Indonesia) because pantoums are about memory and usually compare the present to the past in some way.

Pantoums are made of quatrains of any meter (though syllables are typically regular between stanzas), have no set rhyme scheme, and are really dependent on their repetition of whole lines.

The repetition looks like this: 
The first stanza
A
B
C
D

Second stanza
B
E
D
F

Third stanza
E
G
F
H

Fourth stanza
A
I
C
J

The pantoum carries this continuous pattern until, typically, it ends with lines A and C repeated in the last stanza. (For my pantoum this was the fourth stanza)

Here are some good examples: “Pantoum of the Great Depression” (Justice), “She Put on Her Lipstick in the Dark” (Dischell)

For Pops

Pops loved the simple things in life;
he loved God, his family, his wife.
Music was part of his being—
healthy, whole, and utterly free.

He loved God, his family, his wife—
walking alongside with kindness,
healthy, whole, and utterly free—
a man of solid conviction.

Walking alongside with kindness,
he had a gentle demeanor—
a man of solid conviction
and eyes with a hint of mischief.

Pops loved the simple things in life—
a lake, a dock, his fishing pole.
Music was part of his being—
my life the refrain for his song.

—Carla Jeanne Picklo Jordan

The Game of Shame

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Photo Credit

Sometimes things happen, and I respond with a very quick knee-jerk reactions. Other times, I respond slower, but from a deep level of understanding and personal experience.

This week I was triggered by a parent not allowing their male child to buy a pink graphic t-shirt because he was a boy and wearing pink might offend the grandmother. Since when is a child responsible for someone else’s reaction—to a color, no less?!

I say nay nay.

Keep your oppressive shame to yourself. Don’t heap it on to a child who happens to be quite comfortable in his own skin. Don’t try to cram someone else, especially a child, into a box that you have chosen for yourself.

Thanks, but no thanks. That’s a hard pass for me.

F*** shame.

The Game of Shame

Oppressive shaming
Gotta get gaming
Passing out naming
Labeling and framing
Really just aiming
at a child’s heart.

Please tell me
you know about this—
saying to a child
he will be remiss
if he wears something
grandma won’t like.

It’s oppressive,
it’s aggressive,
it’s obsessive
and regressive.
It tears at a child’s heart.

Generational cycles
repeating and repeating.
Don’t you know
that fashion is fleeting?
Colors don’t reflect
“manliness” or sexuality.

It’s oppressive,
it’s aggressive,
it’s obsessive
and regressive.
It tears at a child’s heart.

It’s not ok to place
that weight upon a child
to tell him he’s responsible,
to make him feel exiled
all because he’s comfortable
inside his own skin.

It’s oppressive,
it’s aggressive,
it’s obsessive
and regressive.
It tears at a child’s heart.

I’m sure I did it,
I know that I lived it,
but I’m breaking that cycle
because I can admit it.
I can share my story
and overcome the past.

It’s oppressive,
it’s aggressive,
it’s obsessive
and regressive.
It tears at a child’s heart.

Oppressive shaming
Gotta get gaming
Passing out naming
Labeling and framing
Really just aiming
at a child’s heart.

—Carla Picklo Jordan

Dancing Buttercups

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Artist credit: Annelea

The world is beginning to dream again and so are we. I see strength returning to Tracy’s spirit, and it does my heart good. She was able to use her walker to walk to the sink, sit down and wash up her face and arms in the sink today. A milestone!

She said it felt so good. She changed into a personal nightgown and felt like a whole new person.

We are hoping to get her into in patient rehab on Monday but it is pending insurance approval. You know how it is…

It is not good enough that doctors, nurses, and Physical and Occupational therapists recommend it. No, the insurance company, not her personal medical team, must approve it first. Please pray with us she can go.

On another note, my dear friend Annelea has launched her website. Trust me, you want to click that hyperlink and check it out; she is a gifted artist.

I am honored to continue a collaborative process Annelea and I began several years ago. I write—she paints.

This poem is the second in our most recent collaboration. I am writing poetry for the paintings on her website.

After this year of pandemic and quarantine and staying home, I am ready for dancing buttercups on a far away shoreline. I hope you are swept away with joy and hope and dreams of summer.

Buttercup Dreams

I slept
in a field
of buttercups

down
by the Cape
where salty air

and shipwrecks
drift together
near the rocks

buttercups
with orange-tip
butterflies nestled

finally free
once again
to dream

How
shall I
bear the joy

of living again
in this glorious
invincible summer?

—a draft of Carla Jeanne Picklo Jordan