Today’s (optional) prompt. Begin by reading Sarah Gambito’s poem “Grace.” Now, choose an abstract noun from the list below, and then use that as the title for a poem that contains very short lines, and at least one invented word.
The life of a teacher never ends and report cards are due tomorrow for all 450 ish of my students, so my time has been maxed out today. I always promise myself to transcribe my old school pencil grades into the electronic gradebook earlier than the week grades are due, but alas, I cannot seem to learn my own lesson.
So here I sit, tired, wanting sleep so badly, fighting off a virus on some sort, and desperately wanting to keep up my writing streak for NaPoWriMo. The poem below is one I have written and revised earlier, but it satisfies me to publish it today for you to enjoy.
Today’s prompt was a good one. Have you ever heard someone wonder what future archaeologists will make of us? What about what someone from an alien civilization will make of us?
NaPoWriMo today challenged me to answer that question in poetic form, exploring a particular object or place from the point of view of some far-off, future scientist. The object or site of study could be anything from a “World’s Best Grandpa” coffee mug to a Pizza Hut, from a Pokemon poster to a cellphone.
I chose instead an object from the past with deep significance. It misses the prompt perhaps, but it doesn’t miss my heart.
grandma's table
the magic of the mahogany table, relating not so much to the nature of the grain, running like streaking waves of darkness toward the light, but to the explosion of connection, gathering strength to weather whatever lay ahead. wondering if the jagged crack near to the one end, weakened any hope for repair. when great grandma sat there three months before her passing, when she complained of not hearing the words, should we have known? when she bowed her head with focused chewing and wanted her black coffee light with cream, should we have pulled her back to earth, resisting the angel of death hovering nearby. or is death the true wonder of all mysteries, pointing toward the light, always toward the light, moving?
Today’s prompt was to take a look around Poetry International for a poem in a language I don’t know. I chose one far from the realm of any possible understanding—Vietnamese.
After reading the entire poem to myself, I thought about the sound and shape of the words, and the degree to which they reminded me of English words.
This then became the basis for a new poem.
What an engaging exercise this was! Not only did the words have to coordinate on some phonetic level, somehow they also had to make enough sense in English to create a poem.
I chose a work based on part of a poem by the lovely and deep Hanoi-based poet, Nhã Thuyên. First I will share it in the original language followed by my English poem. This is only part of her body of work (two stanzas) as the process of creating a poem like this is quite tedious, and time constraints didn’t allow for me to do more.
(***Read between the lines: I still have to keep my day job so my time is limited.***)
quà tặng vào những buổi chiều, trong lúc chờ những chuyến tàu đến và đi, chúng tôi thường ngồi đối diện nhau, để không ai nhìn thấy nhau
chúng tôi bày cuộc đời mình ra đó, món đồ chơi của trẻ nhỏ, mỗi kẻ hiểu về người kia theo cách mình thích và tôi, cuối cùng vẫn chẳng biết gì về hắn
quiet time we hung black cherries, truly lacking nothing, choosing the thick of night to go down along the narrow path,
clinging to the buoyancy of dormant memory. now we counter thorns with those hazy nights that caught in our throats, changing grief to honey.
The prompt for Day 5 was to begin by reading Charles Simic’s poem “The Melon.” It would be easy to call the poem dark, but as they say, if you didn’t have darkness, you wouldn’t know what light is. Or vice versa. The poem illuminates the juxtaposition between grief and joy, sorrow and reprieve.
For today’s challenge, I was to write a poem in which laughter comes at what might otherwise seem an inappropriate moment – or one that the poem invites the reader to think of as inappropriate.
So here you go….
Starlings
In the garden sits my favorite blue chair— where I bask in the sun bathing my bones
cradling cold grief.
The silence startled with a sudden cacophony— of starlings laughing from the leaves.
Clarity came on hard and fast as I turned toward the sun, closed my eyes and smiled.
Happy third day (and first Monday) of Na/GloPoWriMo.
The prompt for the day was to find a shortish poem that I liked and rewrite each line, replacing each word (or as many words as you can) with words that mean the opposite. I found what the writing prompt stated to be quite accurate: “Your first draft of this kind of “opposite” poem will likely need a little polishing, but this is a fun way to respond to a poem you like, while also learning how that poem’s rhetorical strategies really work. (It’s sort of like taking a radio apart and putting it back together, but for poetry).”
I chose a poem written by the brilliant Marie Buck called “Feathery Shapes in the Rock Pile”. Here is my take:
Undercurrent
On my body, marks remain: invisible dingy defined. Holding on easier than the work of release.
I exerted very little and very seldom. The satisfaction of ignoring, dripping down my forehead and furrowing into brows of rage.
—Carla Jeanne
The original poem:
Feathery Shapes in the Rock Pile
On my face sits a stain: representative CEO child. All move me along to the liberty of horrors.
I had to work very much and very hard. The sweat was running down my skin, my hand was shaken by the extremely decaying body. (54)
Today’s prompt asked me to begin by picking 5-10 words from a list. Next, I was to write out a question for each word that I selected.
Then, for each question, I had to write a one-line answer— some kind of an image, without worrying about strict logic. The answers were meant to be surrealist.
After I wrote it all out, I had to place all the answers, without questions on a new page. Then I had to dee if I could make a poem of just the answers.
I have to say that my poem became its own dark entity without my knowledge or permission. It’s funny how this month of concentrated poetry writing tends to bring things out. It’s like being in a month long juice cleanse.
So on to day two…you can check it out below.
Salt, Seaweed, Thunder
Evil is in his hands, Pushing her down While her head Strains to rise
The seaweed A vessel holding The dried drunkenness Of his desperation
A place of silent tears Waits in the wings With disembodied hands For no one to hear
A thousand empty strollers Laugh as they roll The thunder of rage Setting the pace.
Yesterday’s folly A pernicious pillow Holding her head Hoping to hush.
Photo Credit: Marcus Ganahl who made this image available for free on Unsplash
The final prompt of NaPoWriMo was a challenge to write a cento. This is a poem that is made up of lines taken from other poems. If you’ve never heard of one before, join the club. I hadn’t either.
Here is an example from John Ashbery: “The Dong with the Luminous Nose,” and here it is again, fully annotated to show where every line originated. A cento might seem like a complex undertaking – and one that requires you to have umpteen poetry books at your fingertips for reference – but according to the folks at NaPoWriMo, I didn’t have to write a long one.
In spite of “tips” to help me “jump-start the process”, this was a considerable bigger undertaking than I originally thought.
Because my friend lost her daughter (and my Lizi’s best friend) on this date, I often write a poem dedicated to her on the last day of NaPoWriMo. This poem is in memory of Jacy Lynn Dettloff and in honor of my friends, Susan, Steve, and Mick Dettloff who lost their beloved daughter and sister 21 years ago today.
This year (in August) Jacy would have been 30 years old. I know this because she and my son Aaron were born just a few days apart.
The grief tears at my heart as well.
Grief In Four Parts
1.
The River
Grief is a river you wade in until you get to the other side.
I tell you, hopeless grief is passionless.
When grief comes to you as a purple gorilla
then maybe—just maybe—the hours will carry you
into June, when the roses blow.
The air around you fills with butterflies.
I do not know how to hold all the beauty and sorrow of my life.
The morning air is all awash with angels,
and are we supposed to believe she can suddenly talk angel?
2.
The Desert
Little petal of my heart,
I didn’t know where I was going.
I was always leaving, I was
desolate and lone.
3.
The Night
If but I could have wrapped you in myself
I would I might forget that I am I--
a smile of joy, since I was born.
Things change on the morning of the birthday—
the hope is in wakening to this your last dream.
The shadows of you are around me;
the evening shadow has sunk
gleaming. So I can
come walking into this big silence.
4.
Hope
A daughter is not a passing cloud, but permanent;
she's light and also passage, the glory in my cortex.
Dare the deliberately happy to butterfly the gnarled roots of life—
Grief dies like joy; the tears upon my cheek—
“Hope” is the thing with feathers.
--A Cento poem by cjpjordan
Grief in Four Parts (Annotated)
Grief is a river you wade in until you get to the other side.
Barbara Crooker, “Grief”
I tell you, hopeless grief is passionless
Elizabeth Barrett Browning, “Grief”
When grief comes to you as a purple gorilla
Matthew Dickman, “Grief”
then maybe—just maybe—the hours will carry you
into June, when the roses blow.
Gottfried Benn, “Last Spring”
The air around you fills with butterflies--
Katherine Garrison Chapin, “Butterflies”
I do not know how to hold all the beauty and sorrow of my life.
Cynthia Zarin, “Flowers”
The morning air is all awash with angels
Richard Wilbur, “Love Calls Us to the Things of This World”
and are we supposed to believe she can suddenly talk angel?
Mary Sybist, “Girls Overheard While Assembling a Puzzle”
Little petal of my heart!
Hilda Conkllng, “A Little Girl's Songs”
I didn’t know where I was going
Robert Vandermolen, “Flowers”
I was always leaving, I was
Jean Nordhaus, “I Was Always Leaving”
Desolate and lone
Carl Sandburg, “Lost”
If but I could have wrapped you in myself
D.H. Lawrence, “Grief”
I would I might forget that I am I--
George Santayana, “I would I might Forget that I am I”
a smile of joy, since I was born.
Emily Bronte, “I Am the Only Being Whose Doom”
Things change on the morning of the birthday
The hope is in wakening to this your last dream
Theodore Holmes, “In Becoming of Age”
The shadows of you are around me
Kathryn Soniat, “Daughter”
the evening shadow has sunk
D.H. Lawrence, “Daughter Of the great Man”
gleaming. So I can
Jennifer Richter, “My Daughter Brings Home Bones”
come walking into this big silence
Josephine Miles, “Dream”
A daughter is not a passing cloud, but permanent;
James Lenfestey, “Daughter”
she's light and also passage, the glory in my cortex.
Carmen Gimenez Smith, “The Daughter”
Dare the deliberately happy to butterfly the gnarled roots of life—
Amy King, “Butterfly the Gnarled”
Grief dies like joy; the tears upon my cheek—
Henry Timrod, “Sonnet: Grief Dies”
“Hope” is the thing with feathers.
Emily Dickinson, ““Hope” is the thing with feathers”
Thanks and shoutout to Tim Marshall for making this image available for free on Unsplash.
Dedicated to my dear friend who has so graciously allowed others to experience with her how she has processed the religious environment in which she was raised. She is smart and witty and writes so articulately about how she has grown and changed through the years.
I was also raised in this sort of religious environment and can relate on many levels to her story of deconstruction and reconstruction. It is here I find myself in wild-waters, the waters difficult to navigate with grace.
All the stages of grief live in this space of deconstructing and reconstructing—denial, anger, bargaining, depression, and acceptance. They don’t follow a natural progression and sometimes even after I think that acceptance has settled over my bones, denial and anger can revisit.
You know, just for old times sake.
I didn’t follow a prompt today, instead I let my spirit wander over words until they settled into a poem. This poem and life is a process of growth. My only hope is that I continue to grow and change until I take my last breath.
Of Certainty
She looked as certain as the sky without a cloud never questioning life, never doubting God. Her life was as settled as her eternity, and she liked it that way— without a glimmer of mystery and brimming with the loveliest of certainties. After all, on what could she rely if not that certainty?
She found out unexpectedly that it wasn’t the destination. it was the journey that mattered most. When the unthinkable happened,. the restorative property of a palliative remedy moderated more than mere words. In the middle of her misgiving, she plucked some half-dead daisies and put them in her favorite vase while she quietly waited for certainty.
She found instead the pull of the undertow was so much stronger than the weight of her will. In the end it was the absence of nothing and everything that was the final blow to her certainty. It seemed the questions came, all at once, wrenching and pulling her apart before slowly reconstructing her heart. All that remained certain was the presence of uncertainty and a lingering regret for years lost.
Thank you and shoutout to Ashkan Forouzani who made this image available for free on Unsplash.
Today the challenge was to write a poem in the style of Kay Ryan, whose poems tend to be short and snappy – with a lot of rhyme and soundplay. They also have a deceptive simplicity about them, like proverbs or aphorisms.
I’m not sure if I accomplished it, but here is my poem for today.
Happy reading!
Ghosts in Late Summer
Words hung softly, but still too loud for a dead thing. All that remained of summer seemed spent, so I ran straight away into the chill of autumn nipping. Never mind the plotted hours of living where we found stolen strength to see past what was in front of our eyes. When I heard your last whisper through the wall, I wasn’t ready to face winter alone. I felt lost, for we loved deeply and without many words. Imagine then my surprise at the loud voice of your ghost.
Thank you and shoutout to Richard Lee for making this beautiful photo available for free on Unsplash.
The prompt for today was in honor of today being the 22nd day of Na/GloPoWriMo 2022, and they challenged me to write a poem that used repetition. I was invited to repeat a sound, a word, a phrase, or an image, or any combination of things.
So, here you go fellow poetry loving friends. Not as repetitious as some poems I’ve written, but there is that element throughout.
Happy Weekend to you!
The Owl Sees
Where the mind ends, the owl sees— through Ominous golden eyes It breathes in stealth and exhales darkness gliding through blue-black skies. Underneath the fern unfurls, shivers in the windy wake.
Where the mind ends, the owl sees— with certainty of vision and a clarity of mind; she free falls into the darkness, her mournful cry resounding into the boundless cosmos.
Where the mind ends, the owl sees— the wilderness unconstrained, the weeping child whose wailing seeps into the warping twilight. Inside echos of sadness the owl and child grieve as one.
Poetry, Ponderings and Possibilities 